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Archive for December, 2009

‘Hurtling Through Space’ Kicks Back For A Beer, Hangs Out

The title Hurtling through Space at an Alarming Rate is slightly misleading. Oh, there’s certainly a great deal of hurtling through space. The shared apartment of our overgrown fratboy protagonists goes warping through the universe, periodically marooning said overgrown fratboys on strange new worlds. But an alarming rate? Nothing seems to alarm or even rouse the main characters, Mike and Stuart (played by Michael Davies and Stuart Paap, who are presumably channeling some version of themselves).

HTSAAAR is one of the more deliberately laid-back web comedies out there, and much of the humor comes from the characters bemused unflappability in the face of space monsters, explosive devices, and female-types (this being a dude-centric webshow, semi-ironic sexism abounds).

Web TV aficionados will know Davies from his role as writer/director of the sleek post-apocalyptic webseries After Judgment and his influence on the production values of HTSAAAR is clear. The series looks good. The outer space CG and green-screened “hurtling effects” are a little campy, but no more so than those found in mainstream television space comedies like Doctor Who or Red Dwarf (which the series clearly takes after in tone).

HTSAAAR’s success in achieving a quality average-joes-in-space kinda vibe generally errs more on the side of hit than miss. Still, it’s all a little less clever and a lot more winkingly bro-tastic when compared to classics of the genre. On the plus side, each episode contains a handful of great back-and-forth riff sessions between Mike and Stuart. During the arguments, their amusingly deranged wordplay is pleasantly reminiscent of more irreverent programs like Strangers with Candy. While these moments rarely have anything to do with the storyline, it’s in these exchanges that the writing and chemistry between the leads comes together. The show stops feeling like a low-brow Hitchhikers Guide and starts to gain a distinctive sense of self.

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Quick Clicks: CollegeHumor, ‘Bite Me’, French ‘Rockville’, ‘Battery’s’ Done

Trying something new here on Tubefilter. There are just so many web series related tid bits out there worth mentioning—including a heap in our News Desk email inbox that are worth a click.

College Humor staffers are moving crosstown to parent company IAC’s offices, out of the unsupervised Union Square office sanctuary that birthed many of the CH crew’s original series like Hardly Working and The CollegeHumor Show. And co-founder Ricky Van Veen is taking a more grown up post as CEO of Barry Diller’s new web production arm Notational. He’s also hired Vogue Editor Anna Wintour’s strapping daughter Bee Shaffer as his assistant. Can you say cameo? [Business Insider]
Bite Me TV, The MAN Cooking Show launched its second season with host Josh Landis today, cooking recipes aimed at impressing a date in an edgy, guy-friendly way. Other series out of the unabashedly male site are Field Trippin’ and Drink n’ Play. [emailed release]
Josh Schwartz’ Rockville, CA is taking the Euro stage—en français—starting December 3, thanks to a licensing deal between Warner Brothers Television and French internet provider Orange. The Echo Park indie rock drama is already up on Orange’s new Video Party site where it bow the 20-eps in both French and English with subtitles. [emailed release]
Neighborhood Watch, hidden camera web series made for Strike.TV put out its latest trailer, though no official launch date has been set yet. The Hollywood-based indie series sets itself in real-life den of aspiring actors, an apartment building called “The Hollywood.” [emailed]
Broadway web series The Battery’s Down wraps up its celebrated run today, bowing its three-part series(!) finale at 11:00PM (ET). The number of Tony winners, Broadway regulars and future Glee cast members in this indie web series from creator Jake Wilson is astounding. Though Wilson named Ep 16 “Party’s Over,” he says it’s just the next step for him after shepherding the series since Feb. 2008. [Broadway World]
In-Store Designer, a new design series launched, with one recent episode giving us everything we needed to know about Scandinavian furniture making that we didn’t get at IKEA. [LAist]
Copy & Pastry, a new comedy series proves Berekley Californians Two Trick Pony can play in the no-budget web series game, boasting “25 per cent of the budget came from redeemed bottle deposits.” [emailed release]

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‘Decisions, Decisions’ Abound As Crackle Stakes Comedy Claim

omedy is still the king genre of web video. And fittingly there are dozens of sites vying to be the web’s go-to hubs for comedy—Funny or Die, Atom.com, My Damn Channel, Comedy.com—but that doesn’t mean the broader web series hubs aren’t up for some jocularity of their own. Sony’s Crackle.com has had its share of original comedies over the past year, most recently bowing Jon Heder led Woke Up Dead, not to mention earlier jabs like David Faustino’s Star-ving.

But in an effort to bolster their comedy wares, Crackle rolled out its latest push today with the launch of a video slate dubbed “Last Call for Comedy.” The package contains just two new original web series—Decisions, Decisions and So On and So Forth—alongside the online debut of the first two seasons of TBS comedy 10 Items or Less and some cult comedy films like the Wilson brothers debut flick, Bottle Rocket. Both of the new series are out of house pick-ups for Crackle, nabbing them from now-defunct web studios Stage 9 Digital and 60Frames.

Decisions, Decisions: A 15-episode ‘buddy comedy’ series centered around two friends (who in real life are brothers), Roger Ponders (Brendan Countee) and Patrick Shruggs (Adam Countee), throwing ridiculous hypothetical questions at one another. You know, exactly the kind of ‘would you rather’ lobs that make those long road trips bearable. Like: “Would you rather have to take all of your dates to Civil War reenactments OR have to give a live press conference immediately after getting laid?” (see above)

The two stars created the series through their Handsome Donkey production outfit, having last made Squeegees for ABC’s shuttered web content arm Stage 9 Digital. All 15 episodes are released on site today. We scored some exclusive outtakes from one of the eps below:

So On and So Forth: Love triangles are for wimps. This series is a mess of five tangled lovers. There’s Sam (Armen Weitzman) who’s hopelessly in love with Chloe (Diana Gitelman) who “may or may not have just broken up” with Dennis (CSI Miami’s Jon Togo) whose friend Leland (Jake Johnson) just bought a gun and thinks he’s in love with Chloe’s friend Joy (Camille Chen)…and so on and so forth. You need to see this to fully wrap your head around it:

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‘Mr. Wrong’ Marries IOWest, Babelgum and Keeping It Short

As web television toys with being a breeding ground for high production value, TV-ready content, occasionally its forefather, short-form bite-sized content is easily overlooked. Mr. Wrong is one such example. The very simple talking-head style show is easily watchable as most episodes clock in at under 2 minutes.

Mr. Wrong is just as it sounds—one woman goes on many dates with some shady and crazy characters who all turn out to be just that, Mr. Wrong. These Mr. Wrongs rattle off their various philosophies on life, love, technology, poetry and more.

The show is the brainchild of Frank Chindamo and his wife Lynn Chindamo via their Fun Little Movies outfit for video site Babelgum. Frank says the show comes from his wife Lynn’s honest dating experiences. “She met so many Mr. Wrongs before she met me she thought it would be funny to spoof them in a web show.” No stranger to web production Frank Chindamo is the former Comedy Publisher for Babelgum and producer of Turbo Dates, a show with a similar setup that goes for both the male and female perspective .

Watching Mr. Wrong, it’s tough not to draw a comparison to perhaps the most successful talking head dating show of late Secret Girlfriend. While Mr. Wrong has a bit less sex and mystery than the Comedy Central pick-up, it’s anchored in intriguing characters all pulled from its creative partnership with the IOWest. The series was cast solely from the theatre. Of the partnership, Frank Chindamo says, “the idea was to create a partnership with an improv company to promote both Babelgum and the improv company and to attract users from IO and from the Babelgum space.”

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‘Compulsions’ Opens Strong With Exclusive Dailymotion Deal

Hype can be a dangerous thing. Is it after all a fickle critter that once rattled can never really be sent back to its cage. So when Bernie Su and his team behind Compulsions began their late summer teases for their dark web thriller, they knew this day would come. The internet’s day of reckoning.

Today the 8-episode series debuts exclusively on Dailymotion, having signed a deal with the site granting it a month-long exclusive window on Compulsions. Already the popular video site had been featuring the trailer for the series front and center, and it now leads with the first episode surrounded by some custom front page skinning.

Last night in Los Angeles, in a packed screening premiere at Cinespace a room full of some 200 or so lucky ones had a chance to collectively writhe and squirm through the first 4 episodes. “I know the expectations are high,” wrote creator Bernie Su in a post before the premiere, “especially for independent web content but I honestly don’t know if the general audience will love it or not. Our show is dark, intense, and gritty. Though I can say this… our show is definitely something else.”

The series centers on three hidden desires, or compulsions, afflicting three respective main characters. There’s Mark (Craig Frank), the compulsive sadist chillingly unaffected by his routine torture games. Mark’s mysterious handler Justine (Janna Bossier) who’s compulsive “trophy hunting” has something to do with tracking down a missing “package.” And Mark’s office co-worker Cassandra (Annemarie Pazmino) who delivers a tech-infused modern day twist on compulsive voyeurism.

Casting for the series is superb—a healthy dose of web series notables, but without any hint of stunt casting. The standout here though is Craig Frank, known previously for his array of comedy roles in series like The Crew, Private High Musical and Craig and the Werewolf. His layered performance contrasting unassuming office lackey with charged torture junkie is what carries the opening episodes. Only in the office scenes has Frank dolling out pitch perfect straight man comedy, next to his comically gabby coworker (Sean Spence), giving the live screening crowd its sparse laugh breaks. Seth Caskey and After Judgment star Taryn O’Neill guest star in fearless roles as Adam and Sara, two of Mark’s uncooperative victims.

The structure of the series, as a building crescendo of eight throbbing episodes, is by design. Su, who wrote the script specifically for the almost a year ago, made careful strokes to avoid just chopping up a feature film into bite sized chunks. Director Nathan Atkinson equated the tension and suspense of each episode as being similar to early 20th century Nickelodeon theater shorts saying, “it’s cliffhanger, after cliffhanger, after cliffhanger.” His DP, a fellow AFI film school grad, Jason Raswant, also made choices specific to internet viewing like spare use of wide shots and crafting medium shots essentially as close ups.

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